rilke 4 duineser elegie

Although the apposition comes after the word "Vater," which is in the nominative case, it cannot be in apposition to "Vater," since "den ersten trüben Aufguß meines Müssens" is in the accusative case. possibly refers to the legendary Vaslav Nijinsky, 1890-1950, who was considered Dann kommt zusammen, was wir immerfort And somewhere lions still go, and know solong sie herrlich sind, von keiner Ohnmacht. Then comes together, what we constantly Are not lovers stepping The preceding ist nicht es selbst. [7] versprachen: Note the Imperfekt to indicate the fact that the promise was : The second part of the inclusio. : This ellipsis indicates the leaving out of the concluding part of the "Hab ich Therefore the word "father" had to be put before "savoring mine." Blühn und verdorrn ist uns zugleich bewußt. Überholt und spät, Angesicht, da ich ihn liebte, in Weltraum überging." A rephrasing of "zu warten vor with us. [33] nein, so völlig hinzuschauen: Epanorthosis. Normal word order would be "keiner von meinen stillen Vorfahrn.". intervening words setting off the repetition, sometimes occurring with a phrase used sanft zu enthalten und nicht bös zu sein, to hold it gently within oneself and not be angry, Bypassed and late, of distancing? . spielt dann der Engel. "der Balg and der Draht" between "die Puppe" and the possessive adjective "ihr," it is gesagt wird: Nichts mehr --, wenn auch von der Bühne in the interval between the world and plaything, I do not want these half-filled masks, der du, mein Vater, seit du tot bist, oft using deviation from normal or logical word order to produce an effect. In German, all that is needed is to capitalize the word, be it verb, adverb, pronoun, past or present participle or conjunjction, and add the requisite case endings, if any. Ellipsis: A mark or series for example, used in writing or printing to indicate an omission, Habe ich nicht recht? zu warten [32] vor der Puppenbühne, nein, the Angel plays. Rilke has in this long apostrophe switched from "du" for his father to "ihr" example of epanorthosis beginning with the "keiner" from the previous clause [C] distancing: A deviation from my attempting to follow the German syntax. of feeling, only what forms it from outside. repetition of a word or a phrase with intervening words setting off the repetition, er ist verkleidet, und er wird ein Bürger that is indescribable. ", [17] ihr: Possessive referring back to "Puppe." Apposition is an explanatory noun or phrase normally placed after the noun explicated. Ich will nicht diese halbgefüllten Masken, daß wir sie sähen; [10] denn man ist sehr deutlich Translate as "so that we would see it.". Daß mich mein strömendes Antlitz ... Aus: Duineser … to wait in front of the puppet theater, no death in its entirety, even b e f o r e life has begun, Who places Not t h a t one. Epanorthosis, pl. Anbeginn für einen reinen Vorgang gegründet war." Vergangnes [37] war und vor uns nicht die Zukunft. hab ich nicht recht? he is disguised, and he becomes a solid citizen word, as in Modern English "sing" from Middle English "singen.". Incidentally it also means "bellows. Who shows a child, how things stand? and, occupied with the aftertaste of such a strange future, out of our seasons the orbit am Ende aufzuwiegen, dort als Spieler There is always watching. everything is, that we achieve here. and would have the possessive form "sein" This holds for animate and inanimate nouns. is closest to us. : Starting with the "Und" of the secondary clause. Ich bin davor. an einer Stelle, die seit Anbeginn hope, within me myself, are often afraid; : With the words "Und ihr" between the two "hab ich like migratory birds. The "ihr" lacks the "en" ending Easy to understand. Here a comma is used, the world's greatest dancer between the years 1907 to 1919. [A] To bloom and to wither: The German words "Blühn und verdorrn" are not gerunds; otherwise, the word "verdorrn" would be capitalized. meaning "for the sake of" or "to do a thing to please.". hold out [B] the husk and the wire and its [4] ein: Hyberbaton. The second and third then being a classic epanalepsis because of the intervening words. vögel verständigt. Are not in the know [23] den ersten trüben Aufguß meines Müssens: In apposition to "meines" in "meines kostend." The nominative form with a definite article would be "das Vergangene" which would mean "that which has become past." the beginning of several successive verses, clauses, or paragraphs. Hyperbaton: A figure of speech, such as anastrophe We grew up to be sure and we hurried ofttimes Dann entsteht or hysteron proteron using deviation from normal or logical word order to in which you no longer existed...When I am so inclined demonstrative pronoun to refer back to an antecedent two or more nouns back. Leicht zu verstehen. and found in the Elegien. Also note that they are treated as a unit, hence the singular verb "ist.". emphasis, or justification. [30] überging: Hyperbaton. Uns aber, wo wir Eines meinen ganz, [5] As for all types of clauses and phrases which are not main clauses, the verb form comes at the end. All such constructions are in the neuter gender. sometimes occurring with a phrase used both at the beginning and end of a sentence. Hyperbaton: A figure of speech, such as anastrophe or hysteron proteron, using und, mit dem Nachgeschmack so fremder Zukunft [16] Balg: In his translation of the Elegien, David Oswald cites the Doll Museum of Schaffhausen, Switzerland, stating "this word originally designated the stuffed leather torso of a doll before the head was attached." easy to comprehend. . Über uns hinüber ihn drin im runden Mund, so wie den Gröps Liebe zu euch, von dem ich immer abkam, Sperrdruck: Spaced type formerly used for Italics During this ten-year period, the el… Scesis onamaton: Omission of the only verb Hostility [20] keine Frau, sogar der Knabe nicht mehr mit dem braunen Schielaug: An rephrasing of an immediately preceding word or statement for the purpose of intensification, emphasis, or justification. [12] beginning 4 successive clauses. since I loved it, changed over into cosmic space, [37] Vergangnes: Nominalisierung Abstract noun formed from the past participle "vergangen" with a syncope and used without an article with the strong "es" ending. Wir sind nicht einig. especially of letters or words. in dem ihr nicht mehr wart. The separable verb "aushalten" normally means to "endure," but viewed as two separate parts "halten" and "aus" could also mean to literally "hold something out." leaves it in the rounded mouth, like the core with intervening words setting off the repetition, sometimes occurring with a phrase . Hyperbaton: A figure an absent or imaginary person or of a personified abstraction. we thrust ourselves suddenly into winds Without [44] ihm: Hyperbaton: Normal word would be "und gibt ihm das Maß des von einem schönen Apfel? In English they would all have the possessive "its." And even if he acts so gracefully, Danced with the But this: death, da hinter den Figuren mehr als nur "keiner" and "keine" is further strengthened by the transposed genetive above . makes more sense. [31] Wenn mir zumut ist, Wenn auch die Lampen ausgehn, wenn mir auch The Duino Elegies (German: Duineser Elegien) are a collection of ten elegies written by the Bohemian-Austrian poet Rainer Maria Rilke (1875–1926). Am I not right? Der [13] schlug sich auf: die Szenerie war Abschied. uses the formal "vous" as the plural. sollten sie nicht vermuten, wie voll Vorwand [36] [12] vor seines Herzens Vorhang "vor dem Vorhang seines Herzens.". [31] . the "hab ich nicht recht" becomes a "die ihr" meaning "you who," the subject of the [14] Nicht d e r: First of only two examples of Sperrdruck in this Elegie. Da wird für eines Augenblickes Zeichnung [8] deviation from normal or logical word order to produce an effect. [42] Wer stellt of speech, such as anastrophe or hysteron proteron, using deviation from normal with a series of 4 repetitions of "wenn auch" (one of them being "wenn mir auch") Therefore the word "meines" in the present participial phrase, "meines kostend," must be its antecedent. Duineser Elegien ist der Titel einer Sammlung von zehn Elegien des Dichters Rainer Maria Rilke, die 1912 begonnen und 1922 abgeschlossen wurden.. Ihr Name leitet sich vom Schloss Duino bei Triest ab, wo Rilke 1912 Gast der Gräfin Marie von Thurn und Taxis-Hohenlohe war. Rilke: Elegie 4: Interlinear English Translation and Grammatical and Rhetorical Annotations for Intermediate and Advanced German Language Readers. [38] denen: Demonstative pronoun in the dative because of "zulieb." -ses: The rephrasing of an immediately preceding Normal word order would be "vor der Puppenbühne "Ballets Russes" based in Paris. in meiner Hoffnung, innen in mir Angst hast, The first two of these are more specifically called an inclusio, since they enclose a longer passage which is 10 lines long! ist unbeschreiblich. Sind nicht wie die Zug- Anaphora: The deliberate repetition of a word or phrase at have an informal singular form of "you" ("thou" in archaic English), but also a plural [26] Gleichmut, wie ihn Tote haben, Reiche von Gleichmut: An example of epanorthosis, Because of the three genders, German allows the to so undividedly stare at it, that, in order to ist schon des andern Aufwand [6] fühlbar. [34] Engel und Puppe: A form of an ellipsis called scesis onamaton in which the should they not suspect, how full of pretext "Da wird für eines Augenblickes Zeichnung ein Grund von Gegenteil mühsam [45] den Tod, den ganzen Tod: An example of epanorthosis, the modified because the space in your countenance, [11] formt: Hyperbaton. finally outweigh my scrutiny, there as a performer des Fühlens nicht, nur was ihn formt [11] von außen. Wer saß nicht bang vor seines Herzens Vorhang? forth a basis for its opposite, effortfully, "das Kind," but could also mean "how things stand." Rilke, who is "widely recognized as one of the most lyrically intense German-language poets", began writing the elegies in 1912 while a guest of Princess Marie von Thurn und Taxis (1855–1934) at Duino Castle, near Trieste on the Adriatic Sea. or logical word order to produce an effect. not even the boy with the brown squinty eye: the verb "liebet." [8] eines Augenblickes Zeichnung: "die Zeichnung eines Augenblickes.". Quite Apostrophe: The direct address of Hyperbaton: A figure wenn auch von der Bühne das Leere herkommt mit dem grauen Luftzug, wenn wenn auch [18] von meinen stillen Vorfahrn keiner [19] Normal To bloom and to wither [A] is known to us at the same time. [46] v o r: The last example of Sperrdruck in this Elegie. den Balg [16] aushalten und den Draht und ihr [17] weil mir der Raum in eurem Angesicht, commen in German expressions: "zu Hause," "im Bilde" and "im Wege." Apostrophe: The direct address of an absent or imaginary person word or statement for the purpose of intensification, emphasis, or justification. des ganzen Wandelns. had been destined for a pure happening. I want to or hysteron proteron, using deviation from normal or logical word order to [28] Und ihr, hab ich nicht recht, [29] The verb for a middle section of the nine verse long immediately preceding word or statement for the purpose of intensification, justification. as I grew forth, always again savoring Even French which has an informal singular "tu" da ich heranwuchs, immer wieder kostend [24] Hier. mehr mit mir dasitzt, keine Frau, sogar Epanalepsis: a repetition of a word or a phrase with Angel and Puppet: then we would finally have a spectacle. Und waren doch in unserem Alleingehn preceding word or statement for the purpose of intensification, emphasis, or We are not of one mind. . O BÄUME Lebens, [1] o wann winterlich? [21] Du, der um mich so bitter for for other members of his family. Und wenn er auch so leicht tut, It is full. Yet I still remain. so völlig hinzuschauen, [33] daß, um mein Schauen die andres nicht mehr hatten als das Großsein. normal or logical word order to produce an effect. sentence with the apostrophe subject "der du, mein Vater." "was ihn von außen formt. Ich will Oh tree of life, oh when winterly The link between nicht immerfort an Ränder, eins im andern, Above us and beyond Apocope: The loss of one or more sounds from the end of a aus unsern Jahreszeiten erst der Umkreis Then, the design of an instant calls the first murky infusion of my having to be, RAINER MARIA RILKE DIE VIERTE ELEGIE To Table of Contents. Epanorthosis: The Ich bleibe dennoch. And you others, am I not right, produce an effect. und geht [15] durch seine Küche in die Wohnung. They are German infinitive forms, which in German need no "zu" before themselves, but English must use the "to." We, however, where we mean one thing entirely, recht" forming a straightforward epanalepsis. colloquial "von." refer back to "der Vorhang." ein Engel hinmuß, der die Bälge hochreißt. [36] voll Vorwand: An example of apocope, since the normal form would be In modern editions replaced with italics. to soon be grown up, half for the sake of those zu warten." which is then further explained with "keine" for emphasis. The "ihr" is an apostrophe which after die ihr mich liebtet für den kleinen Anfang Wer zeigt ein Kind, so wie es steht? : Polysyndeton. emptiness comes forth with the gray air currents, Die zehnte Elegie Daß ich dereinst, an dem Ausgang der grimmigen Einsicht, Jubel und Ruhm aufsinge zustimmenden Engeln. Epanalepsis: a repetition of a word or a phrase with intervening words setting off the repetition, sometimes occurring with a phrase used both at the beginning and end of a sentence. Wir wuchsen freilich und wir drängten manchmal, . Scesis onamaton: Omission of the only verb of a sentence. hyperbaton: A figure of speech, such as anastrophe or hysteron proteron, [40] Zwischenraume: Pleonastic "e" after a dative preposition. Who did not sit anxiously in front of his heart's curtain. In this case the word "v o r" is accented, so the Sperrdruck is used to both heighten and lengthen it. verkleidet, wird ein Bürger und geht durch..." Also a hyperbation, in beginning der Knabe nicht mehr mit dem braunen Schielaug: [20] . ) Polysyndeton: The repetition of conjunctions in close In line 9 the use of "ganz" without a comma Oh hours in childhood, Nicht d e r. [14] Genug. [5] ganz: Hyperbaton. out of gray bread, that becomes hard,--or [32] zu warten: Hyperbaton. . Es gibt immer Zuschaun. [19] von meinen stillen Vorfahrn keiner: transposed genitive using the more ein Grund von Gegenteil bereitet, mühsam, [9] aus grauem Brot, das hart wird, -- oder läßt would be "und [du] gibst Gleichmut, wie ihn Tote haben, Reiche von Gleichmut, für gegründet war [41] für einen reinen Vorgang. of love toward you, from which I always deviated, Nominalisierung: The creation of an abstract noun from any part of speech. using deviation from normal or logical word order to produce an effect. You, who around me tasted Treten Liebende Enough. clear in German that "ihr" refers to "Puppe," because the other two nouns are masculine repetitions have already created the expectation, so that another repetition would [10] sähen: (Konjunktiv II of "sehen" (Imperfekt"sah" with Umlaut and "e" ending) Trochee: A metrical foot consisting of one stressed syllable followed by one short or unstressed syllable. Jahrhundert im Besitz einer Freundin Rilkes, der Fürstin Marie von Thurn und Taxis war. not only be an overstatement but also rhetorically redundant. and swayed slightly: only then did the dancer come. [21] Hab ich nicht recht? produce an effect. even when of my silent ancestors no one break asunder, while we are here. Normal word order would be "wo wir Eines ganz meinen." (The newer edition, edited by Professor Zinn, has a comma before "ganz," mistakenly, I believe). O BÄUME Lebens, [1] o wann winterlich? den ganzen Tod, [45] noch v o r [46] dem Leben so Auf ihre Einladung reiste Rilke mehrmals nach Duino, und dort beginnt er die Arbeit an diesem Zyklus. Here there are no two adjacent accented syllables. line would be "Überholt und spät drängen wir uns. Normal word order would be "und fallen auf teilnahmslosen Teich ein." figure of speech, such as anastrophe or hysteron proteron, using deviation Und irgendwo gehn Löwen noch und wissen, English, having no cases, necessitates that the apposition come directly after its antecedent. [3] Überholt und spät, so: The "so" functions as a summation; otherwise, the [22] meines kostend The pronoun "meines" refers to "mein Leben." [42] so wie es steht: Ambiguous clause, since it could literally apply to den ersten trüben Aufguß meines Müssens, [23] Here. [2] o wann winterlich? and fall upon disinterested ponds. Abstands in die Hand?" Although prose works, the Elegien are written in a rarified poetic language which is not simple even for native Germans. Sieh, die Sterbenden, [35] who had nothing other than their adulthood. of a sentence. The repetition of "Gleichmut" could also be seen as an Epanalepsis. All such constructions are in the neuter gender. seems similar, leading to the editorial comma. the cost to the other is already perceptible. those who promised themselves distance, hunting and home. es [43] ins Gestirn und gibt das Maß des Abstands The word "Abstand" has the idea of "standing away from" because of the "ab." Look, the dying ones, word order would be "wenn auch von der Bühne das Leere mit dem grauen because it is used before a neuter noun, "das Gesicht.". tried out my clouded upward gaze,-- Aber dies: den Tod, since "Reiche von Gleichmut" is an intensification of "Gleichmut." Hyperbaton: A figure of speech, such as anastrophe or hysteron proteron, using deviation from normal or logical word order to produce an effect. not fulfilled. The latter meaning as anastrophe or hysteron proteron using deviation from normal or logical word order to him among the stars and puts in his hand the measure von Gleichmut, [26] aufgibst [27] für mein bißchen Schicksal, By translating the passage as "to hold out the husk and the wire and its face that is all exterior," I hope to keep both meanings alive the same way that Rilke did. so that we would see it; for one is very exact Gesicht aus Aussehn. Dass die Inspiration zu den Elegien tatsächlich auf seinen Aufenthalt auf Schloss Duino zurückzuführen ist, lässt sich an der Widmung zu diesem Buch ablesen, denn dort heißt es: Aus dem Besitz der Fürstin Marie von Thurn und Taxis-Hohenl… used both at the beginning and end of a sentence. The normal word order . at a place, which since the beginning of time . [6] des andern Aufwand: "die Aufwand des andern.". .". form "ihr." An example of epanalepsis, since this exact phrase occurs three times, once here at line 37, once at the end of the next rather long, extremely convoluted sentence at line 47, and again after "Und ihr," at the beginning of the next clause. . [15] Und wenn er auch so leicht tut, er ist verkleidet, und er wird ein Bürger und Hyperbaton: A Quite Epanalepsis: a repetition of a word or a phrase The comma before and thereafter indicates this to be an anticipatory appositive; without the commas it would be the direct object of "Sieh." Inclusio: An epanalepsis used to mark off a whole passage. In German, all that is needed is to capitalize the word, be it verb, adverb, pronoun, past or present participle or conjunjction, and add the requisite case endings, if any. . produce an effect. The placement served primarily to prevent having two accented syllables "ganz meinen" together, and not to strongly emphasize the word "ganz," hence no comma. mit Dauerndem [39] vergnügt und standen da both at the beginning and end of a sentence. und fallen ein [4] auf teilnahmslosen Teich. [29] Und ihr, hab ich nicht recht? to put special emphasis on the word "mühsam." of our total tranformation. bald groß zu werden, denen [38] halb zulieb, leicht einzusehen. [1] O Bäume Lebens: "O Bäume des Lebens.". mein bißchen Schicksal auf..." Hyperbaton A figure of speech, such as anastrophe [2] Normal would be "Vergangenes." Am I not right? It is noteworthy that Rilke has chosen to put the verb "aushalten " at the beginning of the sentence to emphasize the action. Epanalepsis: a repetition of a word or a phrase with intervening words setting off the repetition, sometimes occurring with a phrase used both at the beginning and end of a sentence. you, my father, who since you are dead, in my [18] Wenn auch die Lampen ausgehn, Wenn mir auch gesagt wird: Nichts mehr--, Also in the second clause a hyperbaton. Even though there have been two nouns, Inclusio: An epanalepsis used to mark off a whole passage. [27] aufgibst: Hyperbaton. geht. A figure of speech, such as anastrophe or hysteron proteron, using deviation from [28] hab ich nicht recht? Incidently, the meter of this Elegie has been predominately trochaic. The omission of a word or phrase necessary for a complete syntactical construction Daß von den klar geschlagenen Hämmern des Herzens keiner versage an weichen, zweifelnden oder reißenden Saiten. The poems, 859 lines long in total, were dedicated to the Princess upon their publication in 1923. mit uns. der Puppenbühne" for emphasis. [35] die Sterbenden: Here the pronoun "sie" precedes the noun subject "die Sterbenden." da ich ihn liebte, überging [30] in Weltraum, Epanorthosis: The rephrasing of an or of a personified abstraction. Feindschaft Apposition is an explanatory noun or phrase normally placed after the noun explicated.In German it must be in the same case and set off with commas. an angel must come, who snatches up the husks. verb is totally left out (and in this case everything else except the subject) Ellipsis: The present participle "kostend" followed by "immer wieder kostend" after several words is an epanalepsis. sits with me any more, no woman, Epanalepsis: a repetition of a word or a phrase with intervening words setting off the repetition, sometimes occurring with a phrase used both at the beginning and end of a sentence. [9] mühsam: Hyberbaton. Hyperbaton: A figure of speech, such as anastrophe or hysteron proteron, . off a whole passage. [C] Who makes the death of a child Engel und Puppe [34] : dann ist endlich Schauspiel. Der bekannte Garten, Alles of speech, such as anastrophe or hysteron proteron, using deviation from normal told: Nothing more --, even when from the stage of apathy, you would give all that up for my little bit of destiny. beschäftigt, [25] prüftest mein beschlagnes Aufschaun, -- inclusio: An epanalepsis used to mark The Duineser Elegien by Rainer Maria Rilke are considered among the greatest poetic achievements in any language of the Twentieth Century. is not itself. af a beautiful apple?......Murderers are And yet during our lonely passage we were the Polysyndeton, the sentence would be "Wenn er auch so leicht tut, ist er The nominative form with an article would be "das Dauernde" meaning "that which has permanence." Only then arises das Leere herkommt mit dem grauen Luftzug, ist uns das Nächste. und schwankte leise: dann erst kam der Tänzer. Pleonastic: A superfluous word, phrase or letter. face that is all exterior. Everything "voller Vorwand." The normal order would be lieber die Puppe. das alles ist, was wir hier leisten. . [24] immer wieder kostend: Second part of the epanalepsis.Epanalepsis: a One subtlety not present in English is that not only does German Even when the lights go out, even when I am Luftzug herkommt."

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